A Journey to What Matters- Sitka Fine Arts Camp Culture Classes Phase 2
Project: Community Cultural Classes, Phase 2
Grantee: Alaska Arts Southeast
Story and photos from: Mary Goddard
Community Cultural Classes, Phase 2 was a successful program hosted by the Sitka Fine Arts Camp, and made possible through The CIRI Foundation. Our greatest success was working with […]
A Journey to What Matters- Hnaa tsesi Workshop and Gathering Project
Project: Hnaa tsesi Workshop and Gathering Project
Grantee: Bunnell Street Arts Center
Story and photos: Melissa Shaginoff
The Hnaa tsesi Workshop and Gathering brought 22 Elders and youth from the Ahtna villages of Gulkana, Tazlina and Copper Center together for storytelling, workshop, and potlatch. In addition to this gathering, three Dene objects including a moose hide jacket, a sheep horn ladle, and a hnaa tsesi (roll-up sewing bag) were borrowed from a private collection in Anchorage and traveled to the villages.Over a potlatch meal and examination of these objects, the Elders had the opportunity to share with the youth stories about each object, especially the hnaa tsesi. They shared that both women and men had these bags. That they were once filled with tools to sew, bead, and sustain their life-ways. One elder shared that even the wax in the hnaa tsesi, used to prepare thread for sewing, could also provide sustenance in times of famine. Together, Elders and youth examined the hnaa tsesi. Looking at the materials, design, and beading, the youth set to construct their own bag with the guidance of the Elders, my art assistant, and myself. But beyond the construction of the hnaa tsesi was discussion of Ahtna values of preparedness, flexibility, resilience, and survival. This discussion then shifted to an exchange between Elders and youth describing the importance of seeking and nurturing these values in our current lives and community. If this workshop and gathering would to be repeated, I would have consulted the community in an in-person interview asking what specific objects they would like to see and what workshop they would like taught. We did have the opportunity to potlatch where we gifted all the Elders with blankets and honoraria. I believe this action left an impression of transparency, that our purpose in both workshop and gathering was only to support the community in facilitation and, in Dene tradition, lead with the intention to know and understand each other.
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A Journey to What Matters-Alaska Native PLACE Kec’otl’ Workshop
Project: Alaska Native PLACE Kec’otl’ Workshop
Grantee: Alaska Native Heritage Center
Story by: Erin Gingrich
Photos by: Carla Gingrich
On November 23rd and 24th students and artists gathered to learn how to make Kec’otl’, a Dene Athabaskan work boot constructed out of smoked moose hide, canvas, thread, artificial sinew, tanned hide lashing, fleece lining and yard draw strings. The work boot was historically made for everyday wear and use as a more understated utilitarian item.The workshop taught by Sondra Shaginoff-Stuart gathered many people together to learn how to make a single cotton mock up boot for sizing before proceeding into crafting the smoked moose hide booties that were later attached to the canvas boot shaft to make a pair of custom fitted Kec’otl’.During the workshop Athna Language and sewing terms were shared, indigenous stories were told and Native food was eaten as students worked on their boots. The skin sewing was done with the good thoughts and intentions that surrounded the event as students were taught how to honor and respect the materials shared.
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Sewing Cotton mock up
Cutting smoked moose hide
Skin sewing moose hide
Finished moose hide booties
Trying Booties on for size
A Journey To What Matters and ASCA Partnership- ARTShops 2019 Kamipiaq Hard Bottom Crimping Class
A Journey To What Matters and ASCA Partnership- ARTShops 2019 Kamipiaq Hard Bottom Crimping Class
The ARTShops program is a collaboration between the Alaska State Council on the Arts, the Alaska Arts and Culture Foundation and The CIRI Foundation’s A Journey to What Matters: Increased Alaska Native Arts and Culture grant program. Established in 2016, ARTShops support emerging Alaska Native arts leaders to develop their skills in leading community-based arts programs.
Project: ARTShops 2019 Kamipiaq Hard Bottom Crimping Class
Alaska State Council on the Arts Partnership
Story by: Joni Edwardsen
The Kamipiaq Hard Bottom Crimping Class took place in Utqiagvik, Alaska. I held a small group gathering to teach them the process of how to make kamipiaq/maklak hard bottoms out of bearded sealskin. I chose to do a small group to ensure my teaching was intentional through a one-on-one interaction. The class lasted 4 days (evenings) in order for their projects to be complete. The outcome was a success! Each participant learned the skill from start to finish and they feel confident in accomplishing this skill again on their own.
A Journey To What Matters and ASCA Partnership- ARTShops 2019 Unangan Fishskin Boot Workshop
A Journey To What Matters and ASCA Partnership- ARTShops 2019 Unangan Fishskin Boot Workshop
The ARTShops program is a collaboration between the Alaska State Council on the Arts, the Alaska Arts and Culture Foundation and The CIRI Foundation’s A Journey to What Matters: Increased Alaska Native Arts and Culture grant program. Established in 2016, ARTShops support emerging Alaska Native arts leaders to develop their skills in leading community-based arts programs.
Project: ARTShops 2019 Unangan Fishskin Boot Workshop
Alaska State Council on the Arts Partnership
Story by: Laresa Syverson
At three ARTShop events during the summer and fall of 2019, I shared how to clean and process fish skins to use for sewing projects, with an overarching goal of researching and reclaiming Unangan footwear. After a generous donation of halibut skins from Westward Seafoods for the two fall events, local participants learned how to clean the skins, preserve the skins until ready for sewing, and were given multiple examples of how the drying and manipulating process will give varied results. Participants were given frozen, unprocessed fish skins to take home and use in a project of their own choosing. I am looking forward to having more opportunities to view Unangan footwear in person, forming patterns, and learning the Unangan language for teaching this art.
As I learned more about fish skins and how to use them, I also formed working relationships with local people and organizations. Just like there are many fish in the sea with unique skins that are useful for a variety of purposes, there are uniquely skilled people living in my community. I worked with a voice actor for advertising, the processing plants for different skins, and viewed gut sewing and stitching at our Museum. The ARTShop experience will enrich my creative process and my ability to lead within the community for years to come.
Heritage Project Grant- KNBA’s Coverage of Alaska Federation of Natives Convention 2019
KNBA’s Coverage of Alaska Federation of Natives Convention 2019
The CIRI Foundation made a Heritage Project grant of $20,000 to Koahnic Broadcast Corporation to support KNBA’s annual broadcast coverage of the Alaska Federation of Natives (AFN) Convention October 17-19, 2019.KBC 2019 AFN Convention coverage included:Gavel-to-Gavel coverage of the Convention from the Carlson Center in Fairbanks from October 17-19, 2019.A one-hour daily interview program, “Alaska’s Native Voice” focusing on a relevant issue.A daily five-minute AFN Convention news recap.Stories from the Convention were filed for KNBA and National Native News.Stories from the First Alaskans Institute Elders and Youth Conference were filed for the statewide broadcasts and National Native News.
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The broadcasts were aired on KNBA-FM, streamed online, and made available to stations across the state via Koahnic’s Native radio distribution service, Native Voice One (NV1). Our 2019 gavel-to-gavel broadcasts were carried in whole or in part by 18 Alaskan stations and 48 repeaters and translators, from Utqiaġvik to Yakutat.
In addition, we increased the reach of our AFN coverage with feature stories on the AFN Convention and the Elders and Youth Conference that were broadcast nationwide on National Native News both during and after the Convention. Koahnic also provided a “Young Media Makers” session at the annual First Alaskans Institute Elders & Youth Conference, October 14-17, 2019 at the Carlson Center in Fairbanks.
Youth participants produced two short radio features that were broadcast on all stations that carried our gavel-to-gavel broadcasts, including KNBA. The features focused on the theme of the conference, “Qaneryararput Yugtun Riniqerput/Qaneryararput Cugtun Kayuqerput,” or “Language is Our Super Power.”
The 2019 AFN Convention was held at the Carlson Center in Fairbanks. AFN’s chosen theme for this year’s Convention was “Good Government, Alaska Driven,” and top leaders addressed the delegation.
Speakers and panelists included: keynote speaker Pete Kaiser, Musher, 2019 Iditarod Champion; Kevin Allis, CEO, National Congress of American Indians; U.S. Attorney General William Barr (via live video link); U.S. Senator Lisa Murkowski; U.S. Senator Dan Sullivan; U.S. Congressman Don Young (via live video link); Tara Sweeney, Assistant Secretary of Indian Affairs, U.S. Department of the Interior; Katherine Gottlieb, President and CEO, Southcentral Foundation; Melanie Bahnke, President and CEO, Kawerak, Inc.; Gloria O’Neill, President and CEO, Cook Inlet Tribal Council; and Sophie Minich, President & CEO, CIRI.
The gavel-to-gavel broadcasts were hosted by NV1 Network Manager Bob Peterson (Yup’ik). Peterson provided a description and analysis of the Convention’s proceedings while identifying and reporting on trends and themes of the Convention. During breaks in the proceedings, Peterson interviewed a variety of guests, and other team members contributed informed commentary during the broadcast.
KNBA’s AFN production team included; Program Director Loren Dixon; News and Public Affairs Producer Tripp Crouse (Ojibwe); producer Emily Schwing; National Native News Anchor/Producer Antonia Gonzales (Navajo); and NV1 Station Relations Rep. Nola Daves Moses. Kristi Shallenberger, from KYUK in Bethel, joined us as a second producer through a competitive application process that supports collaboration between KNBA and rural stations.
KNBA also produced a 1-hour pre-produced show broadcast at 8:00 AM and Noon each day, “Alaska’s Native Voice.” Hosted by National Native News Anchor/Producer Antonia Gonzales, and produced by Gonzales and Schwing, the program featured interviews that delved deeper into topics and issues raised during the convention proceedings. The “Alaska’s Native Voice” programs also included the five-minute AFN daily news segment. The three archived programs of “Alaska’s Native Voice,” and the entire broadcast, are available on-demand at the KNBA website at knba.org and the NV1 website at nv1.org.
The convention’s focus was of immediate interest to all Alaska Natives and to non-Natives as well. The coverage allowed KNBA to make information available to Alaskans throughout the state. For those who could not travel or leave work to attend the proceedings, this was information that they might not otherwise have had access to.
We promoted an online listener survey to gather audience feedback, with results indicating that respondents felt that the broadcast coverage had increased their understanding of the issues raised during the convention.
First Alaskans Institute Elders & Youth Conference 2019
Preceding the AFN Convention, Koahnic and Alaska Teen Media Institute (ATMI) worked with Elders & Youth Conference attendees for 2019 “Young Media Makers” training and production sessions. More than 60 participants took part in an interactive 90-minute training session on the first day of the conference, and students produced two short radio features for broadcast.Koahnic staff providing the training included Jaclyn Sallee (Iñupiaq/CIRI Shareholder), KBC President and CEO; Antonia Gonzales (Navajo), the Anchor/Producer of National Native News; Angela Jenkins (Yup’ik), Resource Development Specialist for The RIVR; and NV1 Network Manager Bob Peterson (Yup’ik).
Indigefi Host/Producer Alexis Sallee (Iñupiaq/CIRI descendant) and producer Tomás Karmelo Amaya (Yaqui/Zuni/Tarahumara) also provided audio and video training for the session. In addition, Alexis and Tomás debuted a new video production of Indigefi, “Who We Are,” to a full audience at the main stage of the Carlson Center on October 15. Presenting with them was Iñupiaq artist Tristan Morgan, who is featured in the video, which was shot in Nome and Shishmaref, and features an Alaska Native artist (Morgan) responding to the changing climate in her traditional homeland.The two “Young Media Makers” features produced by the participants were broadcast as part of our gavel-to-gavel coverage of the AFN Convention. Fifteen participants completed a participant survey following the sessions, with responses indicating that the training had resulted in an increase in media skills.
A Journey To What Matters- Soapstone Carving Using Denaakk’e & Inupiaq
Soapstone Carving Using Denaakk'e & Inupiaq Story by Dewey Hoffman
My partner Marjorie Kunaq Tahbone and I cohosted a 90 minute workshop on carving soapstone with Elders and Youth Participants in October 2019.We integrated words, phrases and commands in both Denaakk’e (Koyukon Athabascan) and Inupiaq languages. It wasn’t quite long enough in length, but students were able to have a hands on experience carving and working with their hands to cut, contour and smooth their pieces. One of the highlights was hearing a student say “I can’t do it!” while cutting a stone, but with persistence eventually was able to complete that step in the process. The Alaska Native Arts Studio at UAF helped by donating the use of carving tools.
A Journey To What Matters- Sivuqam Kelugwi: A St. Lawrence Island Traditional Sewing Curriculum
Sivuqam Kelugwi: A St. Lawrence Island Traditional Sewing Curriculum
Project: St. Lawrence Traditional Sewing
Grantee: Kawarek, Inc.
Story by Danielle Slingsby
Skills such as skin sewing were essential to the survival of our ancestors. In the past, these traditions were passed down from generation to generation inside a tent by the light of a seal oil lamp, or in a small home surrounded by loved ones. In the present day, with the Western education structure, the knowledge held by our culture bearers can at times seem impossible to access. But with an idea and a passion to ensure cultural knowledge remains alive for future generations, Lydia Apatiki of Sivuqaq recently published “Sivuqam Kelugwi: A St. Lawrence Island Traditional Sewing Curriculum,” complete with downloadable patterns, online videos, PowerPoints, and tutorials for students to learn how to make an aangquq (game ball), taghnughhaghwaaq (St Lawrence Island cloth doll) and atkuk amighqwaaq (birdskin parka).
The journey to get to the final product was not an easy one, but it began with Lydia’s dedication to preserving the knowledge of her ancestors. The connections to find the resources to turn her desire to a reality started at a Native Artists Professional Development Training offered by Kawerak, Inc., and First Peoples Fund. It was there that Lydia identified a grant opportunity that could cover the costs of designing and printing a hard copy of the teachings she held in her head. She dreamed her knowledge could then be passed on to the next generations for lifetimes to come.
Through her experience with the schools, Lydia knew that if the traditional practices of sewing were taught in this formal setting, more youth would be exposed to their culture. She knew that the traditional techniques and interconnected language and values could be lost if they weren’t somehow preserved. “By documenting the sewing practices, our young generations will learn about our traditional values, practice St. Lawrence Island Yupik terminology, and learn the traditional stitches,” Lydia commented. “They will become cultural bearers to keep our culture and language alive.”
Partnow Consulting helped Lydia turn her knowledge into a curriculum that would be easy for teachers to use in a school setting. Patricia Partnow, 48-year veteran researcher and writer, recognized the project’s value. “Most coastal people in Alaska made parkas out of bird skins, and there are many examples in museums, but Lydia is the only person I know who has made one herself using the knowledge from her elders,” Partnow said. “What a loss if we had not been able to record this bit of human knowledge. And how lucky we are that we have the whole process in the curriculum, from getting the birds to sewing the parka. I don’t know of a comparable curriculum anywhere.” Apatiki has also made it a priority for the curriculum to be free to educational institutions, so funding would never be a barrier for students to reach their culture. “It is important to know where you come from, to know your language a, traditional values and skills,” Lydia says.
The curriculum goes farther than simply offering a pattern and written instructions on how to make items like the aangquq. Through layers of instruction available online, Lydia integrates language learning, hunting skills, material preparation, and cultural values. Lydia realizes that creating these items is not just about the end product. Values, language, and traditions are thoroughly intertwined in these cultural practices, and much is lost if attempting to teach one element in isolation from the others. Utilizing modern technology like videos makes the material more accessible to youth and more understandable for teachers.
The videos that accompany the projects show hunting techniques and practices, traditional songs, sewing techniques, and celebrations. Due to the variety and depth of content, challenges in communication and funding, and expert consultation for development and design, the curriculum took two years to complete. The support of partners like Kawerak, First Peoples Fund, The CIRI Foundation, Bering Sea Lions Club, Partnow Consulting and Gales Communications and Design was crucial to the project. “We want people to know that their knowledge is valuable, their skills are valuable, and they have the ability to use this to provide for themselves and their families,” says Alice Bioff, business planning specialist with Kawerak. “This project is exciting because it blends tradition and technology, education and business, culture and art all in one.” Although the curriculum is free to educational institutions, anyone will be able to purchase the curriculum online and have access to all the materials and downloads. The fee will support the hosting of the online sharing platform and ideally also return a profit to the Apatiki family.
Local people documenting generations-old cultural knowledge to ensure that the knowledge will be available to many future generations is in itself an act of making history. As Patricia Partnow reflects. “From the viewpoint of history alone, Lydia and her art are a treasure.”
Heritage Project Grant- Honoring Place
Cook Inlet Housing Authority's Honoring Place By Sezy Gerow-Hanson
Artist Danielle Larsen is a contemporary illustrator and painter with Unangan Aleut, Koyukaon Athabascan, Inupiaq, and European ancestry. She is a recipient of TCF’s scholarships and received her Bachelor of Fine Arts in Painting and Alaska Native Art from the University of Alaska, Anchorage.
Cook Inlet Housing Authority (CIHA) partnered with The CIRI Foundation (TCF) for a Heritage Project titled “Honoring Place”. As Cook Inlet Housing was preparing to build its first affordable housing development in downtown Anchorage, we began talking with TCF about a unique opportunity to acknowledge and uplift Dena’ina land and culture at the development site. This idea became “Honoring Place” and involved finding a partner artist to create unique art for each floor of the building that could help tell the story of Dena’ina land and people for the residents, visitors and community partners. Fine artist and CIRI descendant Danielle Larsen was selected for the project and began her almost yearlong work creating these artworks that depict Dena’ina flora. Once installed each piece of artwork has an accompanying placard that has the Dena’ina plant name and how Dena’ina used each of the plants. It’s a cultural lesson presented in a beautiful piece of art.
In addition to the flora, Danielle also created a portrait of Elizabeth Peratrovich for the lobby of the building, which is named Elizabeth Place in honor of the Alaska Native civil rights leader. This artwork also includes an educational placard describing Elizabeth’s role in the passage of the 1945 Anti-Discrimination Act in Alaska, which made it illegal to discriminate in public accommodations and facilities based on race.
The inclusion of these specific Dena’ina plants depicted in the art also provides a sense of welcome and familiarity to our residents. For our CIRI shareholders and descendants it is an acknowledgement of their ancestry and denotes a place of belonging and well being specifically for them.
To celebrate the completion of the project, a Grand Opening and First Friday event was held in December. Event participants included new residents at the building, community partners and funders, as well the community at large. Guests were encourage to explore and learn by visiting each of the artworks and some of the open apartments. At the conclusion guests were asked to participate in a questionnaire so that we could find out if the learned anything new about Elizabeth Peratrovich or Dena’ina land and culture. Survey results showed that they learned many things about Dena’ina land, plants and their uses, as well as just a general acknowledgement that we are living, working and playing on Dena’ina land.
CIHA would like to thank The CIRI Foundation and Danielle Larsen for partnering with us on “Honoring Place”. We are honored to host these works of art within Elizabeth Place and pleased to help acknowledge, preserve and promote Dena’ina land and culture for generations to come.
Guests chat with artist, Danielle Larsen.
Guests read placard about Alaskan cranberries.
A Journey To What Matters and ASCA Partnership- ARTShops 2019 Experimental Qaspeq Construction
A Journey To What Matters and ASCA Partnership- ARTShops 2019 Experimental Qaspeq Construction
The ARTShops program is a collaboration between the Alaska State Council on the Arts, the Alaska Arts and Culture Foundation and The CIRI Foundation’s A Journey to What Matters: Increased Alaska Native Arts and Culture grant program. Established in 2016, ARTShops support emerging Alaska Native arts leaders to develop their skills in leading community-based arts programs.
Project: ARTShops 2019 Qaspeq Sewing Workshop
Alaska State Council on the Arts Partnership
Story by: Amber Webb
During a series of qaspeq-making workshops, I came to a deeper understanding of the ways our cultural garments encourage connection. For thousands of years, the intimate act of making garments to fit the bodies of our loved-ones as a means of protection was also a way we told the world who we are. The act of self-identification through pattern work is a powerful one. During this project, I began noticing the small details that distinguish qaspeq artists and realized that qaspeq construction is as unique as the fingerprints of each person who makes them. Some of us have family patterns, but those of us that lost those can create them for the next generations in our families. The qaspeq is a functional symbol of adaptation and resiliency. Encouraging more people to learn the art of garment construction is a valuable way to assert indigenous identity and worldview. It is a way of knowing who we are. A friend of mine recently told me that indigenous people gain power when they dress like their ancestors did. We make qaspeqs honoring the spirit and ingenuity of the people who came before us.